MidtownVideo.com » Lenses

cinedeck EXTREME

mike — Wed, 03 Aug 2011 19:08:43 +0000

General

Size
5″ x 8″ x 3.5″

Weight
> 4 lbs

Battery Mount
Anton Bauer
V-Mount

DC Power
Nearly any 9-to-28V DC

Monitoring & Display

Monitor
7″ (1024×600) touchscreen display for realtime preview,
focus, and review.
- Realtime composite and per-channel histograms, waveform and scope
for accurate exposure; available in fullscreen or ovrelay display modes
On-screen overlays: grids, crosshairs, safe frames, metadata, and
letterboxing.
- Simultaneous pass through of incoming signal for on-set
monitoring.
- SD TV and VGA display clone for secondary display with
interface.

Recording

Recording Media
Solid State Media

Record Time
up to 4 hours* on a single disk
*In Cineform2) Digital Intermediate codec, 4:2:2 10 bit “high quality” setting

Uncompressed Recording
RAID SSD** or optional external portable RAID via ESATA

** Planned
1) Continuous recording time depends on resolution, bit depth, camera gain settings; standby time is considerably longer.
2) CineForm is the industry leader in cinema quality video compression, with quality equal or
superior to hdcam–sr.

Audio
On-board 2 channel audio, line/mic level switchable with
phantom power

HD Format Support
720p50, 720p59.94, 720p60, 1080PsF23.98, 1080p23.98, 1080PsF24, 1080p24, 1080PsF25, 1080p25, 1080PsF29.97, 1080p29.97, 1080PsF30, 1080p30, 1080i50, 1080p50, 1080i59.94, 1080p59.94, 1080i60, and 1080p60.

SD Format Support
625/25 PAL, 525/29.97 NTSC, 525/23.98 NTSC and 480p. (plus
realtime up/downconversion with hardware de-interlacing and 3:2 pulldown removal, and 23.98–>59i on playout options)

Recording Codecs
10 bit 4:2:2
12 bit 4:4:4
CineForm Digital Intermediates in MOV or AVI format as
well as other industry standard codecs and formats, via
HDSDI, HDMI, USB, or LAN. Records to consumer 2.5″
laptop SSD5) formaximum compatibility and reliability

ZEISS SUPERSPEED PL 35MM LENS SET

tom — Thu, 18 Mar 2010 02:28:25 +0000

The Zeiss super speed lenses introduced the largest aperture available for cinematography, f1.2, a full half-stop larger opening than f1.4. All of these lenses have the Zeiss T* multicoating. Use these lenses with any PL mount camera (film, Panasonic AF100, RED etc..) or with digital camera in conjustion with 35mm Adapter like our Letus Ultimate 35 Adaptor Lenses may be rented individually upon request.

TIFFEN 4X4 ND.9 FILTER

tom — Thu, 18 Mar 2010 02:27:01 +0000

Neutral Density filters have several uses and offer the possibility to achieve otherwise unachievable results. ND filters appear grey and reduce the amount of light reaching the film. They have no effect on color balance. This filter is glass and measures 100 x 100 mm (4x4") x 4mm thick. Key Features • Neutral Density filters have four main uses To enable slow shutter speeds to be used, especially with high speed films, to record movement in subjects such as waterfalls, clouds, or cars To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situations To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure • Neutral Density factors ND.3 (exposure adjustment = 1 stop, reduces ISO 1/2) ND.6 (exposure adjustment = 2 stops, reduces ISO 1/4) ND.9 (exposure adjustment = 3 stops, reduces ISO 1/8)

TIFFEN 4X5.6 WATER WHITE CLEAR/ND.3 SOFT EDGE HORI

tom — Thu, 18 Mar 2010 02:26:02 +0000

The Tiffen 4x5.65" Graduated Neutral Density (ND) 0.3 Glass Filter enables the shooter to adjust exposure without affecting color balance. Neutral density filters are available in 1,2,3 or 4 stops to suit individual situations. Often it is necessary or desirable to balance the light intensity in one part of a scene with another. This is especially true in situations where you don't have total light control, as in bright contrasty landscapes. Exposing for the foreground will produce a washed-out, over-exposed sky while exposing for the sky will leave the foreground dark and under-exposed. This filter enables cloud detail to be kept correctly exposed in the picture. Determining which graduated neutral density filter yields ideal results for any given lighting situation takes knowledge, experience and a collection of such filters. Choose the filter strength which adjusts the lighting to stay within the exposure latitude (greatest difference between bright/dark values) which still shows details in both of the digital or film medium in use. Speaking generally, the 1-stop value (ND 0.3 - the filter's clear portion allows 2x more light to pass vs. darkest portion) effectively compensates average bright sky-to-foreground situations, and the soft transition is applicable more often to a scene than the hard transition The Soft or Hard label indicates the degree of color graduation. Horizontal/Vertical indicates the direction of the graduation. Key Features Neutral Density filters have four main uses • To enable slow shutter speeds to be used, especially with high speed films, to record movement in subjects such as waterfalls, clouds, or cars • To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background • To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situations • To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure Neutral Density factors • ND.3 (exposure adjustment = 1 stop, reduces ISO 1/2) • ND.6 (exposure adjustment = 2 stops, reduces ISO 1/4) • ND.9 (exposure adjustment = 3 stops, reduces ISO 1/8) • ND1.2 (exposure adjustment = 4 stops, reduces ISO 1/16)

TIFFEN 4X4″ ND.6 FILTER

tom — Thu, 18 Mar 2010 02:24:41 +0000

Neutral Density filters have several uses and offer the possibility to achieve otherwise unachievable results. ND filters appear grey and reduce the amount of light reaching the film. They have no effect on color balance. This filter is glass and measures 100 x 100 mm (4x4") x 4 mm thick. Key Features • Neutral Density filters have four main uses To enable slow shutter speeds to be used, especially with high speed films, to record movement in subjects such as waterfalls, clouds, or cars To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situations To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure • Neutral Density factors ND.3 (exposure adjustment = 1 stop, reduces ISO 1/2) ND.6 (exposure adjustment = 2 stops, reduces ISO 1/4) ND.9 (exposure adjustment = 3 stops, reduces ISO 1/8)

TIFFEN 4X4″ ND.3 FILTER

tom — Thu, 18 Mar 2010 02:23:44 +0000

Neutral Density filters have several uses and offer the possibility to achieve otherwise unachievable results. ND filters appear grey and reduce the amount of light reaching the film. They have no effect on color balance. This filter is glass and measures 100 x 100 mm (4x4") x 4 mm thick. Key Features • Neutral Density filters have four main uses To enable slow shutter speeds to be used, especially with high speed films, to record movement in subjects such as waterfalls, clouds, or cars To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situations To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure • Neutral Density factors ND.3 (exposure adjustment = 1 stop, reduces ISO 1/2) ND.6 (exposure adjustment = 2 stops, reduces ISO 1/4) ND.9 (exposure adjustment = 3 stops, reduces ISO 1/8)

TIFFEN 4X4 CLEAR/ND.3 GRAD SE FILTER

tom — Thu, 18 Mar 2010 02:22:24 +0000

Tiffen 44CGN3S Tiffen 4X4 CLEAR/ND.3 Grad SE Filter.
Type :Graduated Neutral Density.
Size :4x4Inch (100 x 100 mm).
Grade :0.3 (1-stop).
Filter Factor :Reduces ISO 1/2.
Multi-Coated :No.
Rotating :No.
Effect :Balanced light intensity from one part of a scene to another.
Application :Nature, Travel, Outdoor photography; To maintain light control, as in bright contrasty landscapes; i.e. bright sky, dark foreground.
Color Temperature :Not specified.
Construction :Glass.
Front Filter Thread Size :Not applicable.
Front Lens Cap Size :Not applicable.

CANON XL 3.4-10.2 MM

tom — Thu, 18 Mar 2010 02:21:17 +0000

Specifications
Focal Length 3.4 – 10.2 mm
Lens Configuration 15 groups, 18 elements (no aspherical elements) * Protective glass is used as the final surface at the back of the lens.
Coating Multi coating (14 elements, 22 surfaces).
Zoom ratio 3X
F number F1.8 – F2.2
Mount Internal contact bayonet type electronic mount.
XL format system compatible 7 pins.
Size 91.5 x 116 mm (3 5/8 x 4 5/8 in)
Filter diameter 72mm (2 7/8 in.)
Color Pearl White
Switches Focus Mode selector switch, one push AF switch, ND filter mount/discount switch (ND 1.5)
Mount diameter 44mm (1 3/4 in.)
Iris 6 blades
Power Supply 5.1V – 10V supplied by camera
Power Consumption 500 mA or less
Focusing system TV AF method (rear focus drive), with manual focus ring
Zoom Power Zoom (16 speed), with manual zoom ring.
Zoom Speed Approx. 1.2sec. – approx. 45 sec.
Focus range 0.5 m (1 ft. 7 5/8 in.) to infinity (entire zoom range)
Angle of coverage Wide: 70° 26′ x 33 ° 48′
Tele: 26° 29′ x 20° 1′
Weight Approx. 670g (1 lb. 7 1/2 oz.), without lens hood.

FUJINON A15X8BEVM-28

tom — Thu, 18 Mar 2010 02:20:01 +0000

Benefits

This is from Fujinon’s excellent Aspheric 2/3″ ENG product line with internal focus. The lens has a Sony 2/3″ Bayonet Mount.

Main Features

• Focal length: 8 to 120 mm
• Zoom ratio: 15 x
• Zoom control: Variable speed servo or manual
• Iris control: Servo or manual
• Maximum aperture ratio: 1.7
• Minimum object distance: 0.65 m
• Zoom extender: 2.0 x
• Internal Focus: Yes
• Macro: Yes
• Variable Angle Grip

CANON FFC-200

tom — Thu, 18 Mar 2010 02:16:47 +0000

The Canon FFC-200 is a manual flex focus handle built for ENG/EFP Canon lens controller kits. The controller provides precision focus control and is useful in a variety of professional broadcast applications, including live event coverage and sports.