(T1.3) 18mm, 25mm, 35mm, 50mm, 85mm
All PL Mount

Use with any PL mount camera (film, RED etc..) or with digital camera in conjustion with 35mm Adapter

Lenses may be rented individually upon request.

Neutral Density filters have several uses and offer the possibility to achieve otherwise unachievable results. ND filters appear grey and reduce the amount of light reaching the film. They have no effect on color balance.

This filter is glass and measures 100 x 100 mm (4×4″) x 4mm thick.

Key Features
• Neutral Density filters have four main uses
To enable slow shutter speeds to be used, especially with high speed films, to record movement in subjects such as waterfalls, clouds, or cars
To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situations
To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure
• Neutral Density factors
ND.3 (exposure adjustment = 1 stop, reduces ISO 1/2)
ND.6 (exposure adjustment = 2 stops, reduces ISO 1/4)
ND.9 (exposure adjustment = 3 stops, reduces ISO 1/8)

The Tiffen 4×5.65″ Graduated Neutral Density (ND) 0.3 Glass Filter enables the shooter to adjust exposure without affecting color balance. Neutral density filters are available in 1,2,3 or 4 stops to suit individual situations.

Often it is necessary or desirable to balance the light intensity in one part of a scene with another. This is especially true in situations where you don’t have total light control, as in bright contrasty landscapes. Exposing for the foreground will produce a washed-out, over-exposed sky while exposing for the sky will leave the foreground dark and under-exposed. This filter enables cloud detail to be kept correctly exposed in the picture.

Determining which graduated neutral density filter yields ideal results for any given lighting situation takes knowledge, experience and a collection of such filters. Choose the filter strength which adjusts the lighting to stay within the exposure latitude (greatest difference between bright/dark values) which still shows details in both of the digital or film medium in use.

Speaking generally, the 1-stop value (ND 0.3 – the filter’s clear portion allows 2x more light to pass vs. darkest portion) effectively compensates average bright sky-to-foreground situations, and the soft transition is applicable more often to a scene than the hard transition

The Soft or Hard label indicates the degree of color graduation. Horizontal/Vertical indicates the direction of the graduation.

Key Features
Neutral Density filters have four main uses
• To enable slow shutter speeds to be used, especially with high speed films, to record movement in subjects such as waterfalls, clouds, or cars
• To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
• To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situations
• To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure
Neutral Density factors
• ND.3 (exposure adjustment = 1 stop, reduces ISO 1/2)
• ND.6 (exposure adjustment = 2 stops, reduces ISO 1/4)
• ND.9 (exposure adjustment = 3 stops, reduces ISO 1/8)
• ND1.2 (exposure adjustment = 4 stops, reduces ISO 1/16)

Neutral Density filters have several uses and offer the possibility to achieve otherwise unachievable results. ND filters appear grey and reduce the amount of light reaching the film. They have no effect on color balance.

This filter is glass and measures 100 x 100 mm (4×4″) x 4 mm thick.

Key Features
• Neutral Density filters have four main uses
To enable slow shutter speeds to be used, especially with high speed films, to record movement in subjects such as waterfalls, clouds, or cars
To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situations
To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure
• Neutral Density factors
ND.3 (exposure adjustment = 1 stop, reduces ISO 1/2)
ND.6 (exposure adjustment = 2 stops, reduces ISO 1/4)
ND.9 (exposure adjustment = 3 stops, reduces ISO 1/8)

Neutral Density filters have several uses and offer the possibility to achieve otherwise unachievable results. ND filters appear grey and reduce the amount of light reaching the film. They have no effect on color balance.

This filter is glass and measures 100 x 100 mm (4×4″) x 4 mm thick.

Key Features
• Neutral Density filters have four main uses
To enable slow shutter speeds to be used, especially with high speed films, to record movement in subjects such as waterfalls, clouds, or cars
To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situations
To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure
• Neutral Density factors
ND.3 (exposure adjustment = 1 stop, reduces ISO 1/2)
ND.6 (exposure adjustment = 2 stops, reduces ISO 1/4)
ND.9 (exposure adjustment = 3 stops, reduces ISO 1/8)

Tiffen 44CGN3S Tiffen 4X4 CLEAR/ND.3 Grad SE Filter. Type :Graduated Neutral Density. Size :4x4Inch (100 x 100 mm). Grade :0.3 (1-stop). Filter Factor :Reduces ISO 1/2. Multi-Coated :No. Rotating :No. Effect :Balanced light intensity from one part of a scene to another. Application :Nature, Travel, Outdoor photography; To maintain light control, as in bright contrasty [...]

This extra-wide angle 3x zoom lens provides 24 to 72 mm in 35mm equivalent focal length with high resolution exceeding 600 TV lines. It has an ND filter, manual focus and zoom ring.

Benefits This is from Fujinon’s excellent Aspheric 2/3″ ENG product line with internal focus. The lens has a Sony 2/3″ Bayonet Mount. Main Features • Focal length: 8 to 120 mm • Zoom ratio: 15 x • Zoom control: Variable speed servo or manual • Iris control: Servo or manual • Maximum aperture ratio: 1.7 [...]

The Canon FFC-200 is a manual flex focus handle built for ENG/EFP Canon lens controller kits. The controller provides precision focus control and is useful in a variety of professional broadcast applications, including live event coverage and sports.

The Canon ZSD-300M is a momentary-type zoom servo demand for canon lens controller kits. The controller provides precision zoom capability in a handlebar style controller and is useful in a variety of professional broadcast applications, including live event coverage and sports.