MidtownVideo.com » Cameras

For-A VFC-7000 Variable Frame Rate Camera

Ramses — Thu, 01 Mar 2012 17:29:43 +0000

Signal System	NTSC, PAL 720/59.94p, 720/50p (will support 1080/59.94i and 1080/50i)
Image Sensor	Progressive Color CMOS
Number of Pixels	1280 x 720
Recording Time	52 secs @125fps 26 secs @250fps 13 secs @500fps 9 secs @700fps
Lens	F Mount
Recording Modes	Endless (loop-through) Trigger (Selectable: start, center, end) - Internal trigger input from operation unit - External trigger via TRIG jack
Synchronization Record	2 Units Connected: Master/slave configuration
Shutter Speed	1/Shooting Speed to 1/200,000 sec. (selectable)
Video Output	HD-SDI: BNC x2 1.485Gbps, 75Ω (simultaneous output of live and recording video)
Genlock	BB: NTSC: 0.429Vp-p/PAL: 0.45Vp-p or Tri-level Sync: 0.6Vp-p, 75Ω, 1 input, BNC
Network Interface	RJ-45 (100Base-TX/1000Base-T)
Control Port	9-Pin D-sub x1 (female, for external trigger) External Trigger: TTL level or Make contact
Power Requirements	12-17VDC (from AC adapter)
Power Consumption	Approx. 20W
Operating Temperature	41 – 104°F (5 – 40°C)
Dimensions (WxHxD)	4.5 x 4.6 x 9.6″ (11.5 x 11.6 x 24.4 cm)
Weight	4.4 lbs (2 kg)

Canon C300 EOS Cinema Body

tom — Mon, 06 Feb 2012 17:42:25 +0000

Click Here for the Canon XF Plug-in

Image Sensor
Sensor Type: CMOS sensor (single-panel), equivalent to Super 35mm
Sensor Size: 24.6 x 13.8mm effective screen size (6.4 x 6.4 micrometer pixel pitch)
Scanning System: Progressive
Number of Sensors: 1
Filter: RGB Primary Color Filter (Bayer Array)
Imaging Processor: DIGIC DV III

Effective Pixels
Approx. 8.29 megapixels (3840 x 2160)

Total Pixels
Approx. 9.84 megapixels (4206 x 2340)

Recording/Codec
Signal System: NTSC and PAL
Compression: 8 Bit MPEG-2 Long GOP
Color Space: 4:2:2 at 50Mbps recording
Maximum Bit Rate: 50Mbps (CBR)
Canon Log Gamma: Available
File Format: MXF (OP-1a)

Recording Options:
50Mbps (CBR) 4:2:2 422P@HL
1920×1080: 59.94i/29.97p/23.98p; 50i/25p; True 24 (24.00)
1280×720: 59.94i/29.97p/23.98p; 50p/25p; True 24 (24.00)

35Mbps (VBR) 4:2:0 MP@HL
1920×1080: 59.94i/29.97p/23.98p; 50i/25p
1280×720: 59.94p/29.97p/23.98p; 50p/25p

25Mbps (CBR) 4:2:0 MP@H14
1440×1080: 59.94i/29.97p/23.98p; 50i/25p

Max. Movie Recording Time
64GB Compact Flash (CF) card
Greater capacity is possible when both are used.

25Mbps: 310 minutes
35Mbps: 225 minutes
50Mbps: 160 minutes

Audio
Linear PCM; 2-Channel; 16-Bit; 48kHz
Built-in Microphone: None
External Audio Inputs: 2 – XLR inputs (Auto and Manual level settings)
Recording Channel Selection: Two channel recording
XLR Mic Trimming: Available; -12dB, -6 dB, 0dB or +12dB
Recording Level Adjustment Range: – Infinity to +18dB
Phantom Power: Available: +48V
Headphone Adjustment: 16 Settings; Volume is muted at lowest setting
1KHz Tone: Available: -12, -18 or -20 dB

Lens
Interchangeable: EF mount

Focusing System
Manual; Autofocus system not available

Max. Shutter Speed
1/2000 sec

ISO Range
320 to 20,000, 1-stop or 1/3-stop

ND Filter Settings
Mechanical ND filter system with option of clear, 2 stops, 4 stops, and 6 stops

White Balance
Auto, Manual, 2 Custom (2000K – 150,00K in 100K increments), Daylight, Tungsten

Frame Rate
NTSC: 59.94P, 59.94i, 29.97P, 23.98P
PAL: 50P, 50i, 25P
Film: 24P

Illumination Correction
Compensates for each lens’ light fall-off. Lens specific data stored in firmware

Genlock Terminal
BNC (input only)

HD/SD-SDI Terminal
BNC (output only), with embedded audio

Timecode Terminals
BNC (input/output), Sync Out (BNC)

Viewfinder
0.52-inch diagonal, color 16:9 rotatable LCD
+2.0 to -5.5 diopter eye adjustment

LCD Screen (Monitor Unit)
4-inch diagonal, 1.23 megapixel color 16:9 rotatable LCD
100% field of view
adj. brightness, contrast, color, sharpness and backlight

Microphone
None built-in

Recording Media
CF Card (Type 1 Only): 2 slots (Movie files); UDMA supported
SD Card: 1 slot: Still images, Custom Picture Data*, Clip Metadata and menu settings
*Custom Picture Data and settings are not compatible with data from other Canon models

USB Terminal
N/A

Video Terminal
Same as HD/SD-SDI Terminal

Audio Terminal
XLR 3-pin jack (2), Switchable between MIC/LINE

HDMI Terminal
Yes (Type A), output only

AV Mini-terminal/Headphone Terminal
3.5mm stereo mini-jack

WFT Terminal
For compatible Wi-Fi Accessory

Operating Temperature Range
Performance: 32°-104°F / 0°-40°C, 85% (relative humidity)
Operation: 23°-113°F / -5°-45°C, 60% (relative humidity)

Dimensions (W x H x D)
EOS C300 + Thumb Rest: 5.2 x 7.0 x 6.7 in / 133 x 179 x 171mm
EOS C300 + Grip: 6.9 x 7.0 x 6.7 in / 174 x 179 x 171mm
Camera + Monitor: 7.3 x 9.8 x 7.4 in / 185 x 249 x 187mm
Camera + Handle + Monitor: 7.3 x 11.2 x 11.9 in / 185 x 284 x 301mm

cinedeck EXTREME

mike — Wed, 03 Aug 2011 19:08:43 +0000

General

Size
5″ x 8″ x 3.5″

Weight
> 4 lbs

Battery Mount
Anton Bauer
V-Mount

DC Power
Nearly any 9-to-28V DC

Monitoring & Display

Monitor
7″ (1024×600) touchscreen display for realtime preview,
focus, and review.
- Realtime composite and per-channel histograms, waveform and scope
for accurate exposure; available in fullscreen or ovrelay display modes
On-screen overlays: grids, crosshairs, safe frames, metadata, and
letterboxing.
- Simultaneous pass through of incoming signal for on-set
monitoring.
- SD TV and VGA display clone for secondary display with
interface.

Recording

Recording Media
Solid State Media

Record Time
up to 4 hours* on a single disk
*In Cineform2) Digital Intermediate codec, 4:2:2 10 bit “high quality” setting

Uncompressed Recording
SSD** or optional external portable RAID via ESATA

The standard OCZ3 drives are valid for for all formats (the 480GB disc is not qualified for uncompressed)

** Planned
1) Continuous recording time depends on resolution, bit depth, camera gain settings; standby time is considerably longer.
2) CineForm is the industry leader in cinema quality video compression, with quality equal or superior to hdcam–sr.

Audio
On-board 2 channel audio, line/mic level switchable with
phantom power

HD Format Support
720p50, 720p59.94, 720p60, 1080PsF23.98, 1080p23.98, 1080PsF24, 1080p24, 1080PsF25, 1080p25, 1080PsF29.97, 1080p29.97, 1080PsF30, 1080p30, 1080i50, 1080p50, 1080i59.94, 1080p59.94, 1080i60, and 1080p60.

SD Format Support
625/25 PAL, 525/29.97 NTSC, 525/23.98 NTSC and 480p. (plus
realtime up/downconversion with hardware de-interlacing and 3:2 pulldown removal, and 23.98–>59i on playout options)

Recording Codecs
10 bit 4:2:2
12 bit 4:4:4
CineForm Digital Intermediates in MOV or AVI format
Avid DNxHD
All Apple ProRess
via HDSDI, HDMI, USB, or LAN.

Sony NEX-FS100 Super 35 Camcorder

mike — Tue, 12 Jul 2011 15:44:15 +0000

The NEX-FS100U Super 35mm Sensor Camcorder is Sony's first affordable and fully professional large-sensor video camera. Hot on the heels of the PMW-F3, this compact, highly modular camera uses the same S35-size CMOS sensor as the F3. Unlike smaller, broadcast-style sensors or the larger "full-frame" sensors of some DSLRs, the NEX-FS100's imaging area matches that of standard Hollywood film cameras, providing complete compatibility with cine-style film lenses (via optional adapters) as well as any of Sony's E-Mount lenses. The sensor's large size offers a variety of other advantages, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range. Able to shoot full 1080p video in a range of frame rates up to 60p, the FS100 provides the option of recording 28Mbps AVCHD footage onto SD or Memory Stick media, or it can output 4:2:2 video (with embedded timecode) to an external recording unit. Simultaneous recording to both is also possible when instant backup is called for. There's no stinting on audio, either, as the camera includes not only a shotgun microphone with mount/carrying handle, but dual XLR inputs for recording uncompressed, professional-level sound from an external source. Other features--such as a rotating 3.5" XtraFine LCD panel with detachable viewfinder, SD recording, GPS geotagging, and slow shutter--make the FS100 an impressive companion to other cameras in the S35 line. Not only will it intercut perfectly with the F3, F35, or SRW-9000PL as a 2nd unit or B camera, it can stand on its own in applications as diverse as indie film, commercials, music promos, education, and wedding videos. Exmor Super 35 CMOS Sensor for Shooting Motion Pictures Equipped with a large CMOS sensor equivalent in size to Super 35mm film, the NEX-FS100 enables shooting with the same creative depth of field as the PMW-F3. The sensor also features the optimum number of effective pixels for shooting HD moving images. At a high 60fps in all-pixel scan mode, this allows images to be captured with less color aliasing, jaggedness and rolling shutter than DSLR cameras, while providing the sensitivity to shoot at a minimum illumination of 0.28 lux. Another advantage of Exmor technology is minimal noise when shooting lowlight scenes. E-Mount Interchangeable Lens System Sony's E-mount interchangeable lenses let you enjoy a level of creative freedom unimaginable with camcorders of the past. All feature precision-crafted optics with aspherical glass elements for compact high performance, and circular iris mechanisms for smooth background defocusing. Thanks to the E-mount's short 18mm flange-back distance, using a mount adapter allows shooting with a wide range of existing lenses. For example, with the optional LA-EA1 mount adapter, you can take advantage of the abundant lenses (A-mount lenses). Third-party adapters enable use of an even wider variety of lenses. 1920 x 1080P Slow & Quick Motion Recording images at a different frame rate from that used for playback provides the extra versatility of slow and quick motion shooting. The NEX-FS100 enables Full HD (1920 x 1080) progressive slow and quick motion. Frame rates are selectable from among 60fps, 30fps, 15fps, 8fps, 4fps, 2fps, and 1fps. So, for example, when recording at 1080/30p, if the frame rate is set to 60fps, images are recorded in 2 times slow motion. S&Q shooting plus last scene review permits checking the S&Q effects on-set, immediately after shooting the scene without drilling down menus. NXCAM Recording Format Like other NXCAM series cameras, the NEX-FS100 uses the well established AVCHD recording format supported by a wide range of nonlinear editing systems. Better still, it's ready to shoot with a maximum frame rate of 1920 x 1080/60p (28Mbps) for even higher quality recording. For more flexibility, it's also possible to record in Standard Definition MPEG-2 format.

Sony PMW-F3K Camera + Package

mike — Tue, 10 May 2011 18:45:26 +0000

Click here for the free download of XDCAM Transfer Software

this is a new link

the .video show presents: Jesse and Sony camera specialist Joe Schimizzi preview the Sony PMW-F3 camera, lenses, sensor size, and more.

Camera Section Specifications

Built-in Optical Filters
OFF: Clear, 1: 1/8ND, 2: 1/64ND

Gain
-3, 0, 3 ,6, 9, 12, 18 dB, AGC

Imaging Device
Exmor Super 35mm equivalent CMOS

S/N Ratio
63 dB (Y) (Typical)

Sensitivity
(2000 lx, 89.9% reflectance) T11 ISO800 (Typical)

Shutter Speed
(Time) 1/32 to 1/2000 sec.

Slow Shutter
2 to 8 frames

White Balance Preset
(3,200 K), Memory A, Memory B/ATW

Lens Specifications:

Filter Diameter
All included Sony PL lenses = 95mm

Focal Length
PMW-F3K includes a 35, 50, and 85mm fixed focal length lens

Focus
Manual

Iris
Manual, T2.0 to C (close) (All PMW-F3K Sony PL Lenses)

Lens Mount
PL mount (with supplied lens mount adapter)

Filter Size
95mm

General Specifications Detail:

Battery Operating Time
Approx. 130 min (HD-SDI Dual Link ON, w/BP-U60)
Approx. 170 min (HD-SDI Dual Link OFF, w/BP-U60

Dimensions
(W x H x D) 151 x 189 x 210 mm (6 x 7 1/2 x 8 3/8 inches)

Mass
Approx. 2.4 kg (5 lb 4.7 oz) without accessories

Operating Temperature
0 °C to 40 °C (32 °F to 104 °F)

Power Consumption
Approx. 18 W (Typical) (HD-SDI Dual-Link OFF, VF ON, LCD monitor OFF.
Max. 24 W (Typical) (HD-SDI Dual-Link ON, VF ON, LCD monitor ON)

Power Requirements
DC 12 V (11.0 v to 17.0 V)

Recording Format
Video: HD HQ Mode: MPEG-2 MP@HL, 35 Mbps / VBR
HD SP Mode: MPEG-2 MP@H-14,25 Mbps / CBR:
Audio: LPCM (16 bits, 48 kHz, 2 channels)

Recording Frame Rate
HD HQ Mode: 1920 × 1080/59.94i, 50i, 29.97P, 5P,23.98P; 1440 × 1080/59.94P, 50P, 29.97P,25P, 23.98P; 1280 × 720/59.94P, 50P, 29.97P, 25P,23.98P

HD SP Mode: 1440 × 1080 /59.94i, 50i (23.98P is converted to 59.94i in 2-3 pulldown processing).

Recording/Playback Time
HQ Mode:
Approx. 100 min with SBP-32 (32 GB) memory card
Approx. 50 min with SBP-16 (16 GB) memory card
Approx. 25 min with SBP-8 (8 GB) memory card

SP Mode:
Approx. 140 min with SBP-32 (32 GB) memory card
Approx. 70 min with SBP-16 (16 GB) memory card
Storage Temperature -20 °C to +60 °C (-4°F to +140 °F)

Inputs/Outputs Specifications Detail:

Audio Input
XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable

Audio Output
RCA phono jacks (x2), –10 dBu (47kΩ load, reference level)

Composite Output
BNC type (x1), 1.0 Vp-p, 75Ω, HD-Y or analog composite signal

DC Input
XLR-type 4-pin

Genlock Input
BNC (x1)

HDMI Output
A-type (x1)

Headphone Output
Stereo mini jack (x1), –18 dBu (reference level output, 16Ω load)

MIC
XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable

Remote
8-pin

SDI Output
BNC

Timecode Input
BNC (x1)

Timecode Output
BNC (x1)

USB
Mini-B/USB2.0 Hi-Speed (x1)

i.LINK
i.LINK, IEEE1394, 4-pin connector (x1), S400

Lens Specifications Detail:

Lens Mount
PL mount (with supplied lens mount adapter)

Monitoring Specifications Detail:

Built-in LCD Monitor
8.8 cm diagonal (3.5-inch) color LCD,
16:9 Aspect ratio,
Picture size 640 (H) × 3 (RGB) × 480 (V) delta sequence,
Hybrid (semi-transmissive) type

Viewfinder
1.148 cm diagonal (0.452-inch),
16:9 Aspect ratio,
852 (H) × 480 (V) Picture elements

Canon EOS 5D Mark II

mike — Wed, 23 Mar 2011 16:34:49 +0000

The Canon EOS 5D Mark II improves upon the EOS 5D by increasing the resolution by about 40% to 21.1 megapixels and adds a Live View feature that allows users to preview shots on the camera's high resolution 3.0" LCD display. It even incorporates the ability to record full motion HD Video with sound, so you can capture the action as well as superb images. Rental Includes Your choice of one lens: EF 16-35mm f/2.8L II USM Autofocus Lens EF 24-70mm f/2.8L USM Autofocus Lens EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens 21.1 Megapixel Full-frame CMOS Sensor Developed by Canon, the high-resolution, 35mm full-frame CMOS image sensor incorporated into the EOS 5D Mark II sets the standard for its class, featuring a remarkable 21.1 million effective pixels for a maximum recorded resolution of 5616 x 3744 pixels. And since the image sensor is full-frame, all lenses used with the camera provide the angle of view that was intended by the manufacturer - this is of particular importance for photographers that often use wide-angle lenses and other specialty lenses. DIGIC 4 Image Processor DIGIC 4 is Canon's latest advanced imaging processor that transforms data from the large CMOS sensor at extremely high speed for photos of exceptional quality and definition. This accelerated performance contributes to highly responsive and user-friendly operation, including a fast continuous shooting speed. The DIGIC 4 processor also enables a number of processor intensive operations like Face Detection Live mode, HD video recording and lighting and lens peripheral optimization. Live View Function The Live View Function on the EOS 5D Mark II provides users with a convenient way to frame images, by allowing for the cameras 3.0" LCD display to be used as a viewfinder - bringing a powerful feature from the compact camera world to the professional digital SLR. Live View is particularly useful when shooting at odd angles or when doing macro photography. The Live View feature also enables the ability to zoom in and navigate the composition 5x or 10x normal size; there is even a grid overlay feature to aid in the composition of your images. This feature also enables the Live View focusing modes which include the Quick mode, Live mode and Face Detection Live mode. Record HD Video The EOS 5D Mark II is unusual among SLR digital cameras in that it is capable of recording full HD video, and it's the cameras Live View function that makes it possible. You'll record video clips in full High-Definition with 1080p image quality and a capture frame rate of 30 fps with sound. Users can even attach an external microphone for recording professional-quality audio with the video, and all Live View AF features can be used when the camera is shooting video. Furthermore, users can play back video clips on a HDTV display in full HD quality with the camera's HDMI Video output (optional cable required). 9-Point AF Sensor Array The newly developed 9-point AF sensor with 6 Assist AF points provides speedy and precise focus detection plus enlarged subject coverage. With an extra 6 AF assist points added to the spot metering circle, the EOS 5D enables highly detailed focusing around the center of an image in AI Servo AF mode. Of the 9 primary AF points, the high-precision cross-type center AF point is compatible with f/2.8 and f/5.6 lenses, while 8 sensors are sensitive to f/5.6. Upper and lower central points, 2 of the 6 Assist AF points, are also f/2.8 and f/5.6 compatible. All focusing points are configured for quick focus in any shooting situation. Durable Shutter An extremely fast, highly durable shutter unit has been especially developed to match the EOS 5D mark II's full-frame 35mm CMOS sensor. The high-torque shutter-cocking mechanism is rated to 150,000 shots, attaining speeds from 1/8000 sec. to 30 sec. and bulb. The unit's flash synchronization (X-sync) function uses an optically detected, contactless switch instead of a mechanical one, which contributes to high durability and reliability when a Speedlite is used and yields an X-sync shutter speed of 1/200 sec. 3.0-Inch High-Resolution LCD Screen The 3.0-inch TFT color LCD monitor has 920,000 (VGA) pixels allows users to scrutinize the finest details of their images either during Live View previews or when reviewing images after the shoot. The display is treated with an anti-reflection and water-repellant coating that provides a clear, smudge-resistant surface and incorporates a light sensor for automatic brightness adjustment in accordance with ambient light. Users can clearly view graphics and text on the screen and it provides easy-to-read menus, a full-featured info screen complete with RGB histogram and AF frame displays, and the ability of users to enlarge images right after shooting. 3.9 Frames-per-Second (fps) Shooting Driven by the advanced DIGIC 4 imaging engine, the EOS 5D Mark II achieves a remarkable 3.9 fps consecutive shooting speed during maximum bursts of 78 shots for Large/Fine JPEG shots (13 shots for RAW images). For rare photo opportunities, the amazingly quick startup and short shutter release time lag will also help you capture the moment without delay. Compatible With Over 60 Canon EF Lenses The EOS 5D Mark II is compatible with all Canon lenses in the EF lineup (except EF-S lenses), ranging from 14mm Ultra-Wide to 600mm Super Telephoto lenses. The EF lineup employs advanced optical know-how and sub-micron precision engineering to deliver unprecedented performance in all facets of the photographic process. Aspherical optics and fluorite elements, for example, are featured in the universally acclaimed L-series lenses while Canon's Image Stabilization feature minimizes the effect of camera shake. Lens Peripheral Illumination Correction Canon's exclusive Lens Peripheral Illumination Correction function corrects for light falloff at the corners of the frame for evenly illuminated images. The camera automatically loads this correction data for many of canon's lenses and correction information can be entered manually through the included Canon EOS Utility software when using lenses that cannot be automatically corrected for. Flash Photography Features The EOS 5D mark II features Canon's E-TTL II flash metering system, which provides consistently accurate flash exposure from shot to shot. Canon's Speedlite 580EX and 430EX are perfectly suited to the EOS 5D. They include an AF-Assist Beam, which works in conjunction with the EOS 5D's focusing system and automatically sends color temperature information to the camera when the flash fires, for more accurate color rendition with flash photography. Solid Construction and Sophisticated Design Highly durable yet elegantly refined, the body of the EOS 5D Mark II can be handled with remarkable ease. It features a highly rigid magnesium alloy exterior (including the Battery Grip BG-E6), a solid stainless-steel internal chassis, and a mirror box of high-strength engineering plastic. Balance is effortlessly maintained from the redesigned grip to the top of a Speedlite flash unit. With a front groove on the grip for the middle finger to the enhanced metallic feel of the Mode Dial, this camera assures greater stability at every point.

Sony PMW-F3 Super 35 EX Camcorder

mike — Fri, 18 Feb 2011 19:32:08 +0000

Click here for the free download of XDCAM Transfer Software

the .video show presents: Jesse and Sony camera specialist Joe Schimizzi preview the Sony PMW-F3 camera, lenses, sensor size, and more.

Camera Section Specifications

Built-in Optical Filters
OFF: Clear, 1: 1/8ND, 2: 1/64ND

Gain
-3, 0, 3 ,6, 9, 12, 18 dB, AGC

Imaging Device
Exmor Super 35mm equivalent CMOS

S/N Ratio
63 dB (Y) (Typical)

Sensitivity
(2000 lx, 89.9% reflectance) T11 ISO800 (Typical)

Shutter Speed
(Time) 1/32 to 1/2000 sec.

Slow Shutter
2 to 8 frames

White Balance Preset
(3,200 K), Memory A, Memory B/ATW

General Specifications Detail:

Battery Operating Time
Approx. 130 min (HD-SDI Dual Link ON, w/BP-U60)
Approx. 170 min (HD-SDI Dual Link OFF, w/BP-U60

Dimensions
(W x H x D) 151 x 189 x 210 mm (6 x 7 1/2 x 8 3/8 inches)

Mass
Approx. 2.4 kg (5 lb 4.7 oz) without accessories

Operating Temperature
0 °C to 40 °C (32 °F to 104 °F)

Power Consumption
Approx. 18 W (Typical) (HD-SDI Dual-Link OFF, VF ON, LCD monitor OFF.
Max. 24 W (Typical) (HD-SDI Dual-Link ON, VF ON, LCD monitor ON)

Power Requirements
DC 12 V (11.0 v to 17.0 V)

Recording Format
Video: HD HQ Mode: MPEG-2 MP@HL, 35 Mbps / VBR
HD SP Mode: MPEG-2 MP@H-14,25 Mbps / CBR:
Audio: LPCM (16 bits, 48 kHz, 2 channels)

Recording Frame Rate
HD HQ Mode: 1920 × 1080/59.94i, 50i, 29.97P, 5P,23.98P; 1440 × 1080/59.94P, 50P, 29.97P,25P, 23.98P; 1280 × 720/59.94P, 50P, 29.97P, 25P,23.98P

HD SP Mode: 1440 × 1080 /59.94i, 50i (23.98P is converted to 59.94i in 2-3 pulldown processing).

Recording/Playback Time
HQ Mode:
Approx. 100 min with SBP-32 (32 GB) memory card
Approx. 50 min with SBP-16 (16 GB) memory card
Approx. 25 min with SBP-8 (8 GB) memory card

SP Mode:
Approx. 140 min with SBP-32 (32 GB) memory card
Approx. 70 min with SBP-16 (16 GB) memory card
Storage Temperature -20 °C to +60 °C (-4°F to +140 °F)

Inputs/Outputs Specifications Detail:

Audio Input
XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable

Audio Output
RCA phono jacks (x2), –10 dBu (47kΩ load, reference level)

Composite Output
BNC type (x1), 1.0 Vp-p, 75Ω, HD-Y or analog composite signal

DC Input
XLR-type 4-pin

Genlock Input
BNC (x1)

HDMI Output
A-type (x1)

Headphone Output
Stereo mini jack (x1), –18 dBu (reference level output, 16Ω load)

MIC
XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable

Remote
8-pin

SDI Output
BNC

Timecode Input
BNC (x1)

Timecode Output
BNC (x1)

USB
Mini-B/USB2.0 Hi-Speed (x1)

i.LINK
i.LINK, IEEE1394, 4-pin connector (x1), S400

Lens Specifications Detail:

Lens Mount
PL mount (with supplied lens mount adapter)

Monitoring Specifications Detail:

Built-in LCD Monitor
8.8 cm diagonal (3.5-inch) color LCD,
16:9 Aspect ratio,
Picture size 640 (H) × 3 (RGB) × 480 (V) delta sequence,
Hybrid (semi-transmissive) type

Viewfinder
1.148 cm diagonal (0.452-inch),
16:9 Aspect ratio,
852 (H) × 480 (V) Picture elements

Panasonic AG-AF100 AVCHD Camcorder

mike — Tue, 08 Feb 2011 19:57:08 +0000

The Panasonic AG-AF100 is the first professional 4/3" large image video camcorder optimized for high-definition video recording. Targeted at the video and film production communities, the AF100 delivers the shallow depth of field and wider field of view of a large imager, with the flexibility and cost advantages of a handheld camcorder. The AF100 has the ability to use virtually any professional quality lens with the addition of an easily obtainable adapter. The design of the AF100's 4/3-inch sensor affords depth of field and field of view similar to that of 35mm movie cameras in a less expensive camera body. Equipped with an interchangeable lens micro 4/3" mount, the AF100 can utilize an array of low-cost, widely-available still camera lenses as well as film-style lenses with fixed focal lengths, prime lenses, and zoom lenses. HIGHLIGHTS: • Large 4/3" "Best-in-Class" MOS imager with fast image scanning and optical and low pass filters that eliminate aliasing and moire while minimizing skew • Records in 1080 (60i, 50i, 30p, 25p and 24p native) and 720 (60p, 50p, 30p, 25p and 24p native, utilizing AVCCAM's highest-quality PH mode (maximum 24Mbps) • Variable frame rates in 24P, 30P and 25P in1080, up to 60P or 50p dependent on 60Hz or 50Hz mode • Uncompressed 4:2:2, 8 Bit HD-SDI and HDMI output

Sony PDW-F800 XDCAM 422 Camcorder

mike — Wed, 21 Jul 2010 16:53:28 +0000

The Sony PDW-F800 XDCAM HD422 Camcorder provides the durability and reliability professionals have become accustomed to with their full line of ENG camcorders, while adding many new features. What sets the XDCAM HD422 line apart from other cameras is the ability to shoot high definition video at manageable bitrates, without sacrificing quality. Equipped with three 2/3" HD CCDs, the PDW-F800 is capable of recording a 1080p stream at different frame rates and bit rates, giving the user increased versatility to choose between quality and run time. The camera can also under and over crank, between 4 and 60 frames, which can be used for fast and slow motion effects. The XDCAM series takes recording to the next level, utilizing non-linear single and dual-layer optical Blue Laser technology. Less time logging, capturing and digitizing footage allows videographers to move seamlessly between acquisition and post-production. Increasing efficiency results in shorter production times leading to higher profitability. MPEG HD422 Improving upon the XDCAM HD format, the PMW-F800 records MPEG HD422. The format is a higher bitrate version of widely used MPEG HD, allowing for more accurate chroma processing. By utilizing its increased 4:2:2 color space (as opposed to 4:2:0) there's more versatility in digital post production, especially during color correction and DI mastering. Blue Laser Optical Drive Technology The XDCAM HD series is anchored by Blue Laser disc, which allows for storage capabilities large enough to record professional quality video. Optical discs give operators more control of the footage they acquire. This can be useful in instances such as news gathering, where footage often goes direct-to-broadcast. The hassle of rolling through tape is eliminated. Optical recording provides users with the advantages of non-linear recording and playback combined with long record times that can often be vital in the field. Sony's dual-layered 50GB discs not only increase these run times but also provide an ideal archiving method not possible when using flash-based camcorders. Benefit of Dual Layering The PFD50DLA dual-layered disc for the XDCAM series of cameras provides a bevy of enhancements over previous models. Most notably is a newly developed servo mechanism that helps decrease access errors, even when the camera is in an unstable environment. Advanced Video Chip Technology The camera uses advanced CCD technology. The Power HAD HD (1440x1080) CCDs have specifications that approach the very highest quality FIT chips found in top-tier equipment such as those used in HDTV production. The camera has an amazing 54 dB signal to noise ratio and smear level of -120 dB. The dynamic range of the camera makes it possible to control critical details in both the very brightest and lowest lighted portions of a scene. High Definition At Your Fingertips The PDW-F800 has a wide array of high definition frame rates and bit-rates to choose from, using the MPEG HD codec, based on the commonly used MPEG compression technique. Choose between the highest 35 Mbps bit rate for highest possible quality, or use 25 and 18 Mbps when longer run times are needed. The camera can shoot up to 120 minutes of high definition footage to one 23GB Blue Laser Disc. DVCAM Downconvertion and iLINK Footage can be recorded in HD mode and then downconverted to DVCAM, and then output through iLINK to any non-linear editing system for high performance and compatibility. Progressive Recording The PDW-F800 has the ability to record in progressive mode, which enhances image quality and can provide a more 'film-like' image. The camera can switch between standard (30 fps) and 24P modes. The 24P mode gives video the look and shutter of film, which is conventionally shot at 24 frames per second. The camera also has the ability to shoot between 4 and 60 frames, commonly known as "overcranking" and "undercranking", which produces beautiful fast and slow motion effects. Loop Recording Camera Operators often find themselves missing the first few seconds of action due to camera preroll. With the XDCAM this becomes a thing of the past! Simply set the camera to the "Loop Recording" mode and the camera will buffer 10 seconds of audio and video into the camera's memory. This capability can help prevent the loss of unexpected but important events occurring before the operator even has the chance to press the REC button. Thumbnail Scene Selection Blue Laser disc technology allows for quick and easy scene selection using Sony's attached LCD. Bringing up clips couldn't be any easier. Randomly access clips and review them seamlessly. Retrieve and save meta-data which can be very useful for scene matching and archiving purposes. Selectable File Recording Modes The PDW-F800 has the ability to select the manner in which clips are recorded onto the disc. Users have the ability to toggle between making one long clip, like on a video tape, or separate clips like those found on a digital still camera.

AJA KiPro

mike — Tue, 25 May 2010 14:11:59 +0000

Check out more seminar clips at jtown.tv

Format
Apple ProRes 422
1080p, 1080i, 720p

Inputs/Outputs
Composite: BNC (x1 Output)
Component: BNCx3 (x1 Input, x1 Output)
HD-SDI: BNC (x1 Input, x1 Output)
HDMI (x1 Input, x1 Output)
Analog Audio, Balanced: XLR L/R (x1 Input, x1 Output)
Analog Audio, UnBalanced: RCA L/R (x1 Input, x1 Output)
TimeCode: BNC (x1 Input, x1 Output)
FireWire W800 1394b (Data Transfer): 9Pin
FireWire W400 1394a (Data, Control, and Timecode): 6Pin
Ethernet 10/100/1000: RJ-45 (x1 Input, x1 Output)
Remote RS-422: 9-Pin DSub
Headphone

Data Storage
AJA Storage Module
250GB or 500GB

Power Requirements
110-220VAC

Dimensions (WxHxD)
18 x 7 x 10″ (45.7 x 17.8 x 25.4cm)

Weight
7.4 lbs (3.6kg)