The Sony PDW-F800 XDCAM HD422 Camcorder provides the durability and reliability professionals have become accustomed to with their full line of ENG camcorders, while adding many new features. What sets the XDCAM HD422 line apart from other cameras is the ability to shoot high definition video at manageable bitrates, without sacrificing quality.

Equipped with three 2/3″ HD CCDs, the PDW-F800 is capable of recording a 1080p stream at different frame rates and bit rates, giving the user increased versatility to choose between quality and run time. The camera can also under and over crank, between 4 and 60 frames, which can be used for fast and slow motion effects.

The XDCAM series takes recording to the next level, utilizing non-linear single and dual-layer optical Blue Laser technology. Less time logging, capturing and digitizing footage allows videographers to move seamlessly between acquisition and post-production. Increasing efficiency results in shorter production times leading to higher profitability.

MPEG HD422
Improving upon the XDCAM HD format, the PMW-F800 records MPEG HD422. The format is a higher bitrate version of widely used MPEG HD, allowing for more accurate chroma processing. By utilizing its increased 4:2:2 color space (as opposed to 4:2:0) there’s more versatility in digital post production, especially during color correction and DI mastering.

Blue Laser Optical Drive Technology
The XDCAM HD series is anchored by Blue Laser disc, which allows for storage capabilities large enough to record professional quality video. Optical discs give operators more control of the footage they acquire. This can be useful in instances such as news gathering, where footage often goes direct-to-broadcast. The hassle of rolling through tape is eliminated. Optical recording provides users with the advantages of non-linear recording and playback combined with long record times that can often be vital in the field. Sony’s dual-layered 50GB discs not only increase these run times but also provide an ideal archiving method not possible when using flash-based camcorders.

Benefit of Dual Layering
The PFD50DLA dual-layered disc for the XDCAM series of cameras provides a bevy of enhancements over previous models. Most notably is a newly developed servo mechanism that helps decrease access errors, even when the camera is in an unstable environment.

Advanced Video Chip Technology
The camera uses advanced CCD technology. The Power HAD HD (1440×1080) CCDs have specifications that approach the very highest quality FIT chips found in top-tier equipment such as those used in HDTV production. The camera has an amazing 54 dB signal to noise ratio and smear level of -120 dB. The dynamic range of the camera makes it possible to control critical details in both the very brightest and lowest lighted portions of a scene.

High Definition At Your Fingertips
The PDW-F800 has a wide array of high definition frame rates and bit-rates to choose from, using the MPEG HD codec, based on the commonly used MPEG compression technique. Choose between the highest 35 Mbps bit rate for highest possible quality, or use 25 and 18 Mbps when longer run times are needed. The camera can shoot up to 120 minutes of high definition footage to one 23GB Blue Laser Disc.

DVCAM Downconvertion and iLINK
Footage can be recorded in HD mode and then downconverted to DVCAM, and then output through iLINK to any non-linear editing system for high performance and compatibility.

Progressive Recording
The PDW-F800 has the ability to record in progressive mode, which enhances image quality and can provide a more ‘film-like’ image. The camera can switch between standard (30 fps) and 24P modes. The 24P mode gives video the look and shutter of film, which is conventionally shot at 24 frames per second. The camera also has the ability to shoot between 4 and 60 frames, commonly known as “overcranking” and “undercranking”, which produces beautiful fast and slow motion effects.

Loop Recording
Camera Operators often find themselves missing the first few seconds of action due to camera preroll. With the XDCAM this becomes a thing of the past! Simply set the camera to the “Loop Recording” mode and the camera will buffer 10 seconds of audio and video into the camera’s memory. This capability can help prevent the loss of unexpected but important events occurring before the operator even has the chance to press the REC button.

Thumbnail Scene Selection
Blue Laser disc technology allows for quick and easy scene selection using Sony’s attached LCD. Bringing up clips couldn’t be any easier. Randomly access clips and review them seamlessly. Retrieve and save meta-data which can be very useful for scene matching and archiving purposes.

Selectable File Recording Modes
The PDW-F800 has the ability to select the manner in which clips are recorded onto the disc. Users have the ability to toggle between making one long clip, like on a video tape, or separate clips like those found on a digital still camera.

The AJA Ki-PRO is a unique recording device designed to streamline post production workflow by simplifying video acquisition. The unit features both SDI and HDMI inputs, making it compatible with most prosumer and professional cameras. The KiPRO takes advantage of Apple’s ProRes technology for a seamless transition from “lens to post”. The device records to high-capacity drives from a wide variety of cameras and comes equipped with a 250GB drive for large recording capacity.

Quick Workflow
The KiPRO can function with a wide array of cameras, integrating with your existing workflow. Simply take out the digitizing process and get to the edit room faster.

ProRes Inside!
Taking full advantage of Apple’s high quality ProRes 422 Quicktime codec means footage will stay robust through the entire post process.

Remote from Computer or Phone
While in the field the KiPRO can be controlled via the web through a computer or iPhone.

Extend Camera Life
By eliminating use of a tape transport or swapping out memory cards, the lifespan of any camera will progressively get higher. No more having to clean tape heads and hope for no timecode dropouts. The KiPRO eliminates the need.

Intuitive Controls
The button layout of the KiPRO will be familiar to any video professional, taking its cue from standard VTR and recording units.

250GB Drive Included
The 250GB drive included in the KiPRO ensures extended recording times when using the ProRes codec.

- Multiple video formats and profiles including 1080i/23.98PsF
- Automatically detects between HD-SDI and SD-SDI signals
- Two channels of embedded audio ensures no signal interference
- Transmission range of 150 feet line of sight or up to 100 feet through walls (actual range may vary depending on site conditions)
- 2-channel embedded audio ensures no signal interference for complete audio/video syncronization.
- Uses integrated V-Mount for camera and battery connection; fully compatible with ENDURA batteries.
- Selection of 4 manual channel frequencies–ideal if operating multiple systems in close proximity.
- Stylish and rugged design, with no visible external antenna
- 12W power consumption and weighs under 2 lbs.
- TX features loop-through; RX outputs dual simultaneous signals
- Conformance to major technical and environmental standards including FCC, CE and ROHS specifications

PRODUCT OVERVIEW

The Sony HXR-MC1 is a unique HD camcorder designed for point of view camera work. Commonly known as a “Crash Cam”, the HXR-MC1 is ideal for extreme sports, POV shots, or simply any situation that would otherwise be difficult while using conventional video cameras. The camera comes equipped with an off-board tethered LCD panel which allows for instant framing and footage review. The camera’s housing is splash proof, making it capable of traversing adverse conditions without any problem.

-The Ultimate “Crash Cam”
The HXR-MC1 makes a great POV camera for virtually any extreme situation. Whether it’s strapped to the side of a motorcycle or skateboarding around the city, the camera opens up a multiple of shooting options impossible with conventional cameras of its class. Very cool.

-AVCHD High Definition Recording
AVCHD is a variation on interfame codecs such as HDV and XDCAM. The advantage is that it uses a standard H.264 compression algorithm, making it highly efficient without sacrificing large portions of memory. Less bandwidth allows the camera to record directly to inexpensive MemoryStick media.

-Exmor Inside
The camera’s chip incorporates Sony’s patented Exmor technology, boasting color fidelity and image quality in a variety of lighting situations.

-ClearVID CMOS Technology
Sony’s ClearVID sensor is positioned at a 45° angle. Since each pixel is positioned at this angle the result is far clearer diagonal lines. Images will appear crisper, without the apparent “jaggies” that often plague video signals.

-Flash Memory Recording Storage
The HXR-MC1 provides AVCHD video in a number of quality levles. The ability to record up to 16Mb/s onto a single card makes the camera not only incredibly versatile, but allows users to record onto inexpensive media. If longer runtimes are needed, the camera will record at lower bit rates to increase run time per card.

Includes Lenses: 4 mm 7.5 mm 15 768×494 effective picture elements 480 TV lines 2 lx minimum illumination 60 lx sensitivity 1/60-100000 shutter speed 4 mode shutter speed AGC gain control Weight 50g Largest number of interchangeable lenses in its class!

• HD recording at up to 50 Mb/s using MPEG HD422
(an MPEG-2 4:2:2P@HL compression technology)
• Support for existing XDCAM HD and XDCAM SD formats
• 1080i and 720P recording
• Dual-layer disc (50 GB, PFD50DLA) and single-layer disc (23.3 GB, PFD23A) support
• Long recording time (at 50 Mb/s)
➣ Approximately 95 minutes on dual-layer disc and 43 minutes on single-layer disc
• Thumbnail operation
• Proxy data and metadata recording
• Built-in up-conversion to HD from SDI input when recording
• HD/SD conversion and cross conversion between 1080 and 720 at the output during playback
• Three 2/3-inch type Power HAD FX CCDs,
each with 1920 x 1080 effective pixels
• High-quality four-channel audio recording
• 3.5-inch type* color LCD display
• Compact and lightweight at 9 lb 4 oz (4.2 kg)
(without viewfinder, lens, microphone, and battery)
• Dual HD/SD-SDI outputs and composite/HD-Y output
• Pool-feed input (HD/SD-SDI and composite) option
• Ethernet interface
• i.LINK interface
• Compatible with the new DWR-S01D digital wireless
microphone receiver**,which can be directly
mounted in the camcorder’s slot

Blue Laser Optical Drive Technology
Advanced Video Chip Technology
High Definition At Your Fingertips
DVCAM Downconvertion and iLINK
Progressive Recording
Loop Recording
Thumbnail Scene Selection

XDCAM EX
Exmor 1/2″ CMOS Sensors
SxS Solid State Recording Technology
Under and Over-Cranking Made Easy
High Definition LCD
14x Fujinon Lens
Extended Record Time

Able to record in the 11 HD formats listed below, the AJ-HDX900 can produce content for use virtually anywhere in the world. And with its versatile features, the AJ-HDX900 can be used to produce virtually any kind of HD video content
Progressive HD CCD Provides High Sensitivity and Superior Image Quality
14-bit Digital Conversion
New Filmlike 3 Gamma Curve
DVCPRO HD EX: Professional Quality Pictures
New DRS (Dynamic Range Stretching) Function
Digital Super Gain (Cumulative Mode)
48-kHz/16-bit, 4-Channel Digital Audio

Features
24P/30P/60i recording capability
Captures film-like 24-frame images using exclusive CineGammaTM technology
50 Mbps DVCPRO50 3.3:1 compression/25Mbps DVCPRO 5:1 compression switchable
Switchable 16:9/4:3 aspect ratios
12-bit DSP (6 pole matrix, 12 pole color correction)
18MHz sampling frequency
Dual Stage Filter Wheel
High Sensitivity: F13 at 2000 Lux
Minimum illumination: .11 Lux at +48dB gain
Shutter speeds and Synchro-scan shutter
Wireless microphone receiver pocket built-in
4-channel digital audio recording
SD Memory Card for scene file swapping
Three User Programmable buttons for such capabilities as: Luminance, Reference, Digital Zoom, Black Stretch, Digital Gain, Channel 1 or 2 Front Volume Control or Auto Trace White Balance
Remote control using simple AJ-EC3, Studio RCU with 26 pin adapter or Digital Triax
Ideal for program production, independent filmmaking and content creation
Pre-Recording Board option offers 15 second caching or single frame intervalometer
GPS Option places camera location coordinates in MetaData