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	<title>MidtownVideo.com &#187; Mixers</title>
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		<item>
		<title>SHURE M267</title>
		<link>http://midtownvideo.com/rental/shure-m267</link>
		<comments>http://midtownvideo.com/rental/shure-m267#comments</comments>
		<pubDate>Thu, 11 Mar 2010 18:32:26 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Mixers]]></category>
		<category><![CDATA[Rental]]></category>
		<category><![CDATA[Shure]]></category>

		<guid isPermaLink="false">http://midtownvideo.com/?p=135</guid>
		<description><![CDATA[The most popular field production mixer ever. The industry standard M267 is specifically designed for professional applications. The excellent performance, versatility and features of this complete, compact console make it an ideal choice for studio, remote or sound reinforcement use and as an add-on mixer for expanding existing facilities. It is also ideally suited for use with audio and video tape recorders to provide multiple microphone inputs. Features include: a switchable limiter, phantom power, LED peak indicator, built-in battery pack, headphones jack and level control, battery check function, tone oscillator, mic/line switches on each input and output, low-cut switches, mix bus jack and VU meter. Four XLR transformer-balanced inputs; one XLR output and a binding post output; battery (three standard 9-volt, alkaline recommended) or 120/240 Vac power. Rack mountable with A268R. ]]></description>
			<content:encoded><![CDATA[<p>Wide, flat frequency response and extremely low distortion up to +18 dBm output<br />
Extremely low noise and RF susceptibility<br />
Four switchable microphone- or line-level balanced-line inputs with individual gain controls and low-frequency rolloff switches. MUMETAL shielding on input transformers<br />
Feedback-type input gain controls for maximum clipping levels and dynamic range<br />
Output switchable for line or microphone level</p>
]]></content:encoded>
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		<item>
		<title>SHURE FP33</title>
		<link>http://midtownvideo.com/rental/shure-fp33</link>
		<comments>http://midtownvideo.com/rental/shure-fp33#comments</comments>
		<pubDate>Thu, 11 Mar 2010 18:13:20 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Mixers]]></category>
		<category><![CDATA[Rental]]></category>
		<category><![CDATA[Shure]]></category>

		<guid isPermaLink="false">http://midtownvideo.com/?p=126</guid>
		<description><![CDATA[    *  For Field Use
    * 3 XLR Inputs
    * Stereo XLR Outputs
    * 3.5mm Monitor
    * Tape In/Out
    * 1/4" TRS &#038; 3.5mm Output
    * Panning/Level Controls
    * 48 &#038; 12V Phantom Power
    * 2 9V Batteries = 8 Hrs Use
    * Accepts PS20/PS20E Power
]]></description>
			<content:encoded><![CDATA[<p>The Shure FP33 field mixer meets the criteria envolved in manufacturing a field mixer rugged enough to handle the elements yet flexible enough for the professional working enviroment. The Shure FP33 is a professional field mixer suitable for electronic news gathering (ENG), field production (EFP), film, television or recording audio for sound design. The FP33 features 3 high quality XLR inputs and stereo (L/R) XLR output. The inputs and outputs can be switched bettween mic and line level signal. There are 3.5mm Monitor and Tape I/O and a choice of either 1/4&#8243; TRS phone or 3.5mm headphone output (both are provided). There are panning and level controls on channels 1-3 and the headphone monitor dial provides monitoring of either left or right, dual mono or stereo signal. Both 48V and 12V phantom power is supported and two 9 volt batteries provide up to 8 hours of use. The FP33 is capable of battery powered with standard 9 volt alkaline batteries and A/C power from a Shure PS20 or PS20E Power supply.</p>
<div id="tabs">
<ul>
<li><a href="#features">Key Features</a></li>
<li><a href="#specs">Specifications</a></li>
</ul>
<div id="features">
High Quality Inputs and Outputs<br />
The FP33 features Balanced, metal XLR input and output connections, switchable bettween Mic and Line level signal. In addition the FP33 features 3.5mm Monitor input and Tape output jacks.<br />
Quiet Audio Signal<br />
Transformer balanced inputs and outputs result in superior rejection of RFI and electromagnetic hum.<br />
48 &#038; 12 Volt Phantom Power<br />
Both 48 Volt and 12 Volt Phantom power is supported allowing up to 8 hours of use on 2 single 9 Volt batteries. 48 and 12 Volt Phantom Power allows compatability with a wider variety of microphones.<br />
Mix Bus Output<br />
The Mix Bus output jack allows users to cascade multiple FP33 mixers for simultaneous use. Also allows tandem use with the Shure FP32A.<br />
Professional VU Meters<br />
Professional analog VU meters prove much more durable against the eliments than LED, LCD or Flourescent meters. The meters feature timed or toggled backlighting and are multifunctional.<br />
Built In Tone Oscillator<br />
The FP33 provides a 1kHz test tone oscillator for callibration of tape machines, meters etc.<br />
Isolated Two-Way Talk Back<br />
Isolated two-way talk-back using Monitor In and modified Slate Mic/Tape Out jack.<br />
4 Headphone Monitor Modes<br />
Headphone Monitor switch allows monitoring of Left, Left + Right (Mono), Right and Stereo audio signals. Perfect for isolating either &#8220;Mid&#8221; or &#8220;side&#8221; signal when using stereo microphones.<br />
Compact Rugged Design<br />
The Compact rugged plated metal chassis is made to withstand extreme heat and cold for full operation under harsh conditions.</p>
</div>
<div id="specs">
<dl class=" specs ">
<dt>Inputs</dt>
<dd>3 &#8211; Balanced XLR Inputs
			</dd>
</dl>
<dl class=" specs ">
<dt>Output</dt>
<dd>2 &#8211; Balanced XLR Outputs
			</dd>
</dl>
<dl class=" specs ">
<dt>Monitor/Headphone Out</dt>
<dd>2 &#8211; 1/4&#8243; TRS Phone / 3.5mm stereo headphone outputs.
			</dd>
</dl>
<dl class=" specs ">
<dt>ALT I/O</dt>
<dd><b>Monitor In</b> 3.5mm jack <br /><b>Tape Output</b> 3.5mm jack
			</dd>
</dl>
<dl class=" specs ">
<dt>Link Input/Output</dt>
<dd>&#8220;MIX BUS&#8221; connection: mini 3-Pin XLR connection
			</dd>
</dl>
<dl class=" specs ">
<dt>Impedance</dt>
<dd><b>Input</b> <br />Mic &#8211; <i>(designed for use with 19 to 600 ohms source)</i> 1k ohm internal, -10 dBV clip level Line &#8211; <i>(designed for use with &lt; / &#8211; 1k ohms source)</i> 50k ohms internal, +36 dBV clip level <br />Monitor &#8211; <i>(designed for use with &lt; / &#8211; 1k ohms impedance source)</i> 10k ohms internal, +21 dBV clip level <b>Outputs</b> <br />Mic &#8211; <i>(designed for use with Low-Z input source)</i> 1 ohm internal, -31 dBV clip level Line &#8211; <i>(designed for use with 600 ohms source)</i> 150 ohms internal, +18 dBm clip level <br />Tape &#8211; <i>(designed for use with &gt; 10k ohms source</i>) 2.2k ohms internal, +3 dBV clip level Headphones &#8211; <i>(designed for use with 8 to 200 ohms source)</i> 300 ohms internal, +11 dBV clip level
			</dd>
</dl>
<dl class=" specs ">
<dt>Gain</dt>
<dd><b>Low-Z Mic Input</b>: Line 78dB, Mic 28dB, Headphone 89dB, Tape 66dB <br /><b>Line</b>: Line 28dB, Mic -22dB, Headphone 39dB, Tape 16dB <b>Monitor</b>: Headphone 11dB
			</dd>
</dl>
<dl class=" specs ">
<dt>Hum &amp; Noise</dt>
<dd><b>Output Noise:</b> <br />Master level fully CCW: &lt; / &#8211; 100dBV, 20 to 20,000 Hz Master level fully CW: &lt; / &#8211; 80dBV, 20 to 20,000 Hz <br /><b>Equivalent Input Noise:</b> -127 dBV with 150 ohm source, 20 to 20,000 Hz
			</dd>
</dl>
<dl class=" specs ">
<dt>Frequency Response</dt>
<dd>20 to 20,000 Hz +/- 2.0 dB (channel controls centered)
			</dd>
</dl>
<dl class=" specs ">
<dt>Distortion</dt>
<dd>0.25% THD a +4 dBm output, 50 to 20,000 Hz
			</dd>
</dl>
<dl class=" specs ">
<dt>Metering</dt>
<dd>VU Left/Right Channel Output Level Meters: 0 VU preset at +4dBm output level
			</dd>
</dl>
<dl class=" specs ">
<dt>Controls</dt>
<dd><b>Inner/Outer Ring pots:</b> Master Output Level (L/R) and Headphone Monitor <br /><b>Level Control pots:</b> Input Channels 1-3 <b>Pan Control pots</b>: Input Channels 1-3 <br /><b>Switches</b>: Power, Mic/Line Level Input &amp; Output, Low-Cut Filter (channels 1-3), 1kHz Oscillator, Link, Output Peak Limiter, Meter Lamp/Battery Check Switch, Monitor Input Switch <b>Buttons</b>: Slate Button
			</dd>
</dl>
<dl >
<dt>Control Voltage Out</dt>
<dd>No
			</dd>
</dl>
<dl >
<dt>Phantom Power</dt>
<dd><b>12 Volt</b>: through matched 680 ohms <br /><b>48 Volt</b>: through matched 6.8k ohms <b>12 Volt T (A-B):</b> through matched 180 ohms
			</dd>
</dl>
<dl>
<dt>Operating Temperature</dt>
<dd>Operating: 0 to 60 degrees C (32 to 140 degrees F) <br />Storage: -40 to 85 degrees C (-40 to 185 degrees F)
			</dd>
</dl>
<dl >
<dt>Power</dt>
<dd>Internal: Two 9V alkaline batteries <br />External: 12-30 Vdc to dc In jack; non-polarized Current Drain: Approximately 41mA (idle) at 18 V <br />Battery Life: 8 hours minimum, typical
			</dd>
</dl>
<dl class=" specs ">
<dt>Dimensions</dt>
<dd>2.26 x 7.24 x 6.33 (58 x 184 x 161mm) (H x W x D)
			</dd>
</dl>
<dl class=" specs ">
<dt>Weight</dt>
<dd>3.5 lbs (1.6 kg)
			</dd>
</dl>
</div>
</div>
]]></content:encoded>
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		</item>
		<item>
		<title>ELECTROVOICE PSX2000</title>
		<link>http://midtownvideo.com/rental/electrovoice-psx2000</link>
		<comments>http://midtownvideo.com/rental/electrovoice-psx2000#comments</comments>
		<pubDate>Thu, 11 Mar 2010 18:11:14 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Mixers]]></category>
		<category><![CDATA[Rental]]></category>
		<category><![CDATA[Electrovoice]]></category>

		<guid isPermaLink="false">http://midtownvideo.com/?p=118</guid>
		<description><![CDATA[The rugged, ergonomic PSX1000 console was designed for easy transportation. Along with all the features of the PSX600, the PSX2000 offers 570 watts per channel and features 10 mic inputs and 4 stereo line inputs. Plus, the PSX 2000 features a three-band EQ with sweepable mids on mono inputs, a fixed 3-band EQ on stereo [...]]]></description>
			<content:encoded><![CDATA[<p>The rugged, ergonomic PSX1000 console was designed for easy transportation. Along with all the features of the PSX600, the PSX2000 offers 570 watts per channel and features 10 mic inputs and 4 stereo line inputs. Plus, the PSX 2000 features a three-band EQ with sweepable mids on mono inputs, a fixed 3-band EQ on stereo inputs and has a stereo 7-band graphic equalizer. </p>
]]></content:encoded>
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		</item>
		<item>
		<title>MACKIE 1402VLZ</title>
		<link>http://midtownvideo.com/rental/mackie-1402vlz</link>
		<comments>http://midtownvideo.com/rental/mackie-1402vlz#comments</comments>
		<pubDate>Thu, 11 Mar 2010 17:58:31 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Mixers]]></category>
		<category><![CDATA[Rental]]></category>
		<category><![CDATA[Mackie]]></category>

		<guid isPermaLink="false">http://midtownvideo.com/?p=108</guid>
		<description><![CDATA[8 high-headroom inputs
XDR preamps on 6 mic inputs
Phantom power
60mm long-wear, log-taper faders
2 aux sends with level, pan, and PFL solo
4 stereo aux returns plus effects to monitor
3-band active EQ
75Hz Lo Cut for stage rumble
ALT 3/4 stereo bus ]]></description>
			<content:encoded><![CDATA[<p>While there are a wide range of companies that have built solid reputations making quality audio mixers, for the past decade or so few have had a better reputation for both value and dependable quality than the Mackie brand. Much of the reason for Mackie&#8217;s success has been its reputation for balancing quality of sound performance, with nearly indestructible quality and signal flow flexibility. A case in point is the Mackie 1402-VLZ Pro.</p>
<div id="tabs">
<ul>
<li><a href="#features">Features</a></li>
<li><a href="#specs">Specifications</a></li>
</ul>
<div id="specs">
<div>
<dl >
<dt>Total # Of Inputs</dt>
<dd>16
			</dd>
</dl>
<dl >
<dt>Mic/Line Inputs</dt>
<dd>12 x Balanced 1/4&#8243; TRS Phone <br />12 x Balanced XLR Inputs
			</dd>
</dl>
<dl >
<dt>Stereo Line Inputs</dt>
<dd>2 x Balanced 1/4&#8243; TRS Phone (channels 13/14 &amp; 15/16)<br />
1 x Stereo RCA Tape Input
			</dd>
</dl>
<dl >
<dt>In-Line Inputs/Returns</dt>
<dd>No
			</dd>
</dl>
<dl >
<dt>AUX Sends</dt>
<dd>2 x 1/4&#8243; TRS Phone
			</dd>
</dl>
<dl >
<dt>AUX Returns</dt>
<dd>2 x 1/4&#8243; TRS Phone
			</dd>
</dl>
<dl >
<dt>Inserts</dt>
<dd>&#8220;Main Inserts&#8221; (L/R) 1/4&#8243; TRS Phone<br />
12 x 1/4&#8243; TRS Phone Inserts (channels 1 &#8211; 12)
			</dd>
</dl>
<dl >
<dt>BUS (Group) Outputs</dt>
<dd>4 x Balanced 1/4&#8243; TRS Phone outputs
			</dd>
</dl>
<dl >
<dt>2 Trk Master I/O</dt>
<dd>&#8220;Utility Out&#8221; (L/R) 1/4&#8243; TRS Phone<br />
3 x XLR Main Outs (L/R/Sub)
			</dd>
</dl>
<dl >
<dt>ALT I/O</dt>
<dd>2 &#8211; RCA (L/R) input &amp; output
			</dd>
</dl>
<dl >
<dt>Monitor Outputs</dt>
<dd>2 &#8211; Balanced 1/4&#8243; TRS Phone (L/R)
			</dd>
</dl>
<dl >
<dt>EQ Section</dt>
<dd><b>High</b> +/-15dB @ 12kHz <br /><b>Mid</b> +/- 15dB @ 100Hz to 8kHz <b>Low</b> +/-15dB @ 80kHz <br /><b>Low Cut</b> 100Hz, -18 dB/octave <b>Low Mid</b> (stereo channel EQ)+/- 15dB @ 400Hz <br /><b>Low Cut</b> 100Hz, -18dB/octave <b>Graphic EQ (9 bands):</b> <br /><b>Q=</b>1.414, ISO octave centers +/- 15dB @ 63,125,250,500,1k,2k,4k,8k,16k Hz
			</dd>
</dl>
<dl >
<dt>Solo/Mute</dt>
<dd>MUTE &amp; PFL SOLO on each Channel
			</dd>
</dl>
<dl >
<dt>Channel Level Control</dt>
<dd>60mm Logarithmic Faders
			</dd>
</dl>
<dl >
<dt>Trim/Gain Control</dt>
<dd>Input Level Trim Control Range: +6 to -50dB
			</dd>
</dl>
<dl >
<dt>Phantom Power</dt>
<dd>+48V DC
			</dd>
</dl>
<dl >
<dt>Metering</dt>
<dd>12 &#8211; Segment Peak LED&#8217;s Main (L/R)
			</dd>
</dl>
<dl >
<dt>Frequency Response</dt>
<dd>Mic Input to any Output (Trim at 0dB): +0,-1 dB, 32Hz to 20kHz
			</dd>
</dl>
<dl >
<dt>Dynamic Range</dt>
<dd><i>not specified by manufacturer</i>
			</dd>
</dl>
<dl >
<dt>Signal-to-Noise Ratio</dt>
<dd>20Hz to 20kHz BW (150 ohm source impedance): <br />Equivalent Input Noise (EIN): -127 dBu <br />Residual Output Noise: <i>main, monitor, &amp; effects outputs, Channel and master levels off</i> -95dBu
			</dd>
</dl>
<dl >
<dt>Total Harmonic Distortion (THD)</dt>
<dd>THD and SMPTE IMD; 20Hz to 20kHz <br />Mic Input to Main Output: &lt;0.005% @ +4dBu output
			</dd>
</dl>
<dl >
<dt>Power Supply</dt>
<dd><i>not specified by manufacturer</i>
			</dd>
</dl>
<dl >
<dt>Dimensions</dt>
<dd>5.0 x 21.4 x 16.2&#8243; (127 x 544 x 412mm) (H x W x D)
			</dd>
</dl>
<dl >
<dt>Weight</dt>
<dd>21.0 lbs (9.5 kg)
			</dd>
</dl></div>
</div>
<div id="features">
<div>
<dl>
<dt> Internal Multi Effects Processor  </dt>
<dd>
<p>		        The Mackie CFX series features 32-bit custom EMAC effects processing featuring reverb, delay, chorus, flanger, phaser and more. Mackie Digital 8 Bus, EMAC 32-bit processing assures no loss in detail during processing.</p>
</dd>
</dl>
<dl>
<dt> 16 Input 12 Insert Design  </dt>
<dd>
<p>		        The <b>CFX-16MK2</b> features 16 line inputs. Channels 1-12 are mono, inputs 13,14,15 and 16 are stereo paired. Inserts on channels 1-12 and Main Outputs provide flexible routing to external signal processors or use the inserts as outputs for monitoring. </p>
</dd>
</dl>
<dl>
<dt> Balanced Stereo and Mono Sub Output  </dt>
<dd>
<p>		        The CFX Series features 3 balanced XLR outputs. The Left and Right main outputs carry the stereo signal via the stereo bus. The third Mono output is automatically crossed over at 75Hz providing sub frequencies. </p>
</dd>
</dl>
<dl>
<dt> Graphic EQ on Stereo Bus  </dt>
<dd>
<p>		        A 9 Band Graphic EQ on the Main Stereo Bus allows engineers to shape the frequency at the last stage before output. A perfect solution for cutting transient frequencies in a live sound situation. </p>
</dd>
</dl>
<dl>
<dt> 4 Sub Group Outputs  </dt>
<dd>
<p>		        4 assignable group outputs are perfect for routing channels to monitors or multi track recorders. </p>
</dd>
</dl>
<p>	   <!-- end else-if -->	</p>
<dl>
<dt> Break Switch  </dt>
<dd>
<p>		        The Break Switch gives engineers peace of mind by providing a global &#8220;mute&#8221; of all the consoles input channels. An intermission play-back device like a tape recorder or CD player will be the only signal allowed passage when connected to the &#8220;Tape Inputs&#8221;. </p>
</dd>
</dl></div>
</div>
</div>
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