All in a Day’s Work

September 13th, 2011

When Felipe Marrou completed his documentary on pilots entitled Aviator’s Journey he approached local PBS affiliate WPBT-Channel 2. The station agreed to air the piece which Marrou had produced and filmed himself.  Recently, WPBT in turn, reached out to Marrou when the national cooking show Simply Ming was coming to Miami. The show was going to be filming on location and needed a Director/Cameraman and crew. Simply Ming featuresEmmy Award-winning host Chef Ming Tsai who along with renowned guest chefs creates one of a kind East-West pairings.

Marrou agreed and soon found himself out on location with host Chef Ming Tsai. The crew shot for several days at a variety of Miami locations, each with a local celebrity guest chef joining Chef Ming Tsai. Chef Michelle Bernstein as well as 3 others were featured preparing dishes unique to South Florida.  Professional golfer Annika Sorenstam was featured in a segment that was filmed at Turnberry Isle golf course.

“PBS requested a specific camera be used, the Panasonic 900, I knew Midtown Video carried it, so I rented it from them,” explains Marrou. “Everything went great, in fact,” continues Marrou,” this particular episode was nominated for an Emmy which was pretty cool.”

Soon after Marrou found himself in the process of a very different kind of production. His company VTM Productions was contacted by client Bupa Health Insurance with a request to do a live studio production and transmit it to locations across the globe. The live webcast went off without a hitch. “It’s great working with the crew over at Midtown, you can always count on them to be on time and do a good job,” said Marrou. “They do live transmissions all the time, they have experience, and you want to work with someone that is able to tackle the issues, someone you can trust.”

Marrou’s most recent shoot was for a local law firm which involved filming in a courtroom and required rapid set ups and break downs. He was pleased with one particular piece of equipment and wanted to share its benefits with others. “We used a new dolly that Midtown is carrying called the Dolly Wolly,” states Morrou. “It is a very helpful tool, very easy to use, set up and transport and at a good price.” Morrou is happy with how the commercial came out and plans to show the client the completed piece before he moves on to the next job. All in a days work for Felipe Morrou.

Midtown Video Keeps Carnival Cruise Line a Step Ahead of the Competition

September 13th, 2011

When it comes to the cruise ship industry it is a never ending game of can you top it, each new ship that comes on the scene in Miami’s booming cruise port is sure to feature the latest and greatest in fun, relaxation and recreation.  Such is the case with Carnival Cruise Line’s newest vessel, Carnival Magic, which features the ultimate in outdoor fun and fitness at the innovative SportSquare.
When creating the designs for SportsSquare, Carnival wanted to include a 2×2 video wall for outdoor gaming, but were faced with all of the challenges that come with an outdoor video installation. Carnival Cruise Line awarded the bid to Midtown Video for the custom outdoor enclosure and high brightness video screens.

“Account Executive, Chari Hill and her team were very helpful when it came to reviewing the available options for the equipment on board,” shared James Riccio, Supervisor of AV Media for Carnival Cruise Line, “They delivered a product that fits the area and everyone on board really enjoys it.”

The line’s most extensive outdoor recreation area by far, SportSquare is surrounded by a jogging track and features SkyCourse, the first ropes course at sea, (suspended above deck); an outdoor fitness area, a court for basketball, volleyball, and soccer and Carnival’s first two-level nine-hole miniature golf course.

Car Crashes, Treasure Hunting and Fishing Shows

September 13th, 2011

What do you get when you combine a tough, veteran breaking news photographer, who has filmed every major air and traffic accident in central Florida in the last 15 years with a seasoned man of the sea, once a diver for famed treasure hunter Mel Fisher, today a charter fisherman and colorful character in his own right? Well when its junior high school classmates and life long friends, Robert Kilroy and Roy Blanchard, you get a great looking fishing series with a natural born star.

It all began when Kilroy went out on the docks in his hometown of St. Augustine, seeking a charter fishing trip to take a break from his long work hours.  While on the dock he ran into childhood friend Roy Blanchard, otherwise known as Capt. Sharkey. Once a freelance Master diver, Blanchard worked for Mel Fisher, diving the priceless treasure cargo of the fabled lost Spanish galleon Atocha. Diving from the lead boat, the Endeavor. Blanchard found numerous artifacts and treasures including jewelry, emeralds, fine china and antiquities. An injury forced an early retirement and a move above water into the charter fishing business.

Capt Sharkey offered to take his old buddy out on a fishing trip and Robert was immediately enthralled. “The minute Capt. Sharkey started showing me what I was doing wrong I had the idea to turn this into a show,” shared Kilroy. “I went out fishing and discovered a star.” “Robert is a really good photographer” adds Capt Sharkey,” he sets up these natural backgrounds, just a perfect combination of worn driftwood and old buoys along the river, his equipment works beautifully and the footage looks magnificent.”

Kilroy and Blanchard have since filmed several instructional clips as well as fishing reports. The segments can be found on the St. Augustine Record’s website at http://staugustine.com/captsharky <http://staugustine.com/captsharky> . Fox 30 in Jacksonville has also expressed an interest in airing the quirky fishing clips.  The duo has been working together for eight months and have received a positive response from both the newspaper and viewers. The plan is to continue to grow the show and promote it more by taking on sponsors such as local bait shops and restaurants.
When it came time for Robert to upgrade his equipment, he reached out to Midtown Video,  purchasing an HRZ5 Sony camera with an SD card reader as well as a laptop. “I went with Midtown because in the end it is about getting people to talk to you. Jesse Miller is really qualified, shares Kilroy. “He knows what he is talking about and takes the time to go over things with you. After work, after hours, this guy will talk to you.”

Kilroy continued, “On a recent documentary project Hallmark asked for a specific kind of look. Jesse explained how to adjust the settings on the camera to achieve more of a film look that they were looking for. He likes to talk about cameras and he takes the time for a little guy like me.” On a scale of one to ten I would give Jesse and Midtown Video a fifteen or twenty, just off the charts.”
The fishing show is actually a far cry from Robert’s usual vocation. On a typical workday, Robert receives notice by radio of an accident right after it occurs and the location, which could be anywhere in central Florida. Robert is first on the scene in his fully equipped mobile unit and films the accident for the Florida Highway Patrol giving him exclusive rights to the footage.  In addition, Kilroy is able to upload the footage via mobile satellite to local area news stations and CNN.

While Kilroy continues his work as a freelance news photographer, future plans call for the two to continue producing the weekly or biweekly fishing reports as well as additional instructional videos and on locations shoots. The trailer for the Hallmark documentary can be seen at http://www.youtube.com/watch?v=jOYvVr6TGUE.

Sony UWPV6 Wireless Lav System

August 19th, 2011

System

Type of System
Camera Mountable UHF Synthesized Wireless Plug-in System

RF Carrier Frequency Range
30/32 – 566 to 590MHz

Overall Frequency Response
40Hz to 18kHz

Signal-to-Noise Ratio
60 dB (A-Weighted)

# Of Channels
188

# Of Simultaneous Systems
16

Receiver

Type of Receiver
Camera Mountable, Space Diversity, Crystal-Controlled PLL Synthesizer

Type of Outputs
3.5mm (1/8″) Mini-Plug, unbalanced

Headphone Monitoring
3.5mm (1/8″) Mini-Plug, unbalanced with Variable Level

Power Requirements
DC 3.0V (2 AA-Size alkaline batteries)

Battery Type/Approx. Life
Two AA Batteries, Up to 8 Hours

Display
LCD Display

Mounting Options
Camera / Belt / Mic Stand Mountable

Antenna Type
Internal 1/4 Wave

Dimensions
2.48 x 4.11 x 0.86″ (63 x 104.5 x 22mm)

Weight
6.5 oz. (185g) (with Battery)

Transmitter (Plug-in)

Type of Transmitter
UTX-P1 Plug-in Transmitter

Type of Input Connector
Mic/Line Switchable – 3-pin XLR

Interchangeable Mic Heads
Standard XLR Type Microphones

Battery Type/Approx. Life
Single AA-Size (LR6) Alkaline Battery, Up to 8 Hours

Mute Switch
No

Level Control
Microphone level control

Antenna Type
(2) 1/4 Wave Wire

Display
LCD Display

Dimensions (WxDxH)
1.73 x 3.89 x 1.41″ (44 x 99 x 36mm)

Weight
Approx. 7.2 oz (205g) (including batteries)

Transmitter (ENG)

Type of Transmitter
Crystal-Controlled UHF PLL-Synthesized Body-pack Transmitter

Type of Input Connector
Mic/Line Switchable – Mini Microphone Connector (3.5mm)

Type of Microphone
Lavalier

Polar Pattern
Omnidirectional

Interchangeable Mic Heads
Compatible with any microphone features a mini (3.5mm) connection

Battery Type/Approx. Life
Single AA-Size (LR6) Alkaline Battery, Up to 8 Hours

Mute
No

Level Control
Microphone level control

Antenna Type
Miniature 1/4 Wave Length Helical Antenna

Display
LCD Display

Dimensions (WxDxH)
2.48 x 0.73 x 3.24″ (63 x 82.5 x 18.7mm)

Weight
5.1 oz. (145g) (with Battery)

Sennheiser EW112 Wireless Lav System

August 19th, 2011

System

Type of System
Camera-Mountable, Diversity UHF Wireless Lavalier Mic System

RF Carrier Frequency Range
A / 516 – 558 MHz

Overall Frequency Response
25Hz – 18kHz

Signal-to-Noise Ratio
> / – 110dBA

# Of Channels
1680
20 Channel Banks, 1 Fixed Bank, 12 Factory Preset Channels Each

Receiver

Type of Receiver
EK100 Portable Diversity Receiver

Type of Outputs
1/8″ (3.5mm) Mini

Headphone Monitoring
No

Power Requirements
1.5V

Battery Type
AA Batteries 1.5V x2

Display
Back-lit LCD Display

Mounting Options
CA2 Shoe Mount Adapter (Included)

Dimensions
3.23 x 2.92 x 0.94″ (82 x 64 x 25mm)

Weight
5.64 oz (160g)

Transmitter

Type of Transmitter
SK100 Bodypack Transmitter

Type of Input Connector
Locking 1/8″ (3.5mm) Mini

Type of Microphone
ME2 Lavalier Microphone

Polar Pattern
Omni

Battery Type/Approx. Life
AA 1.5V Batteries x2 (8 Hours Typ.)

Mute Switch
Programmable Mute Function

Level Control
Yes

Display
Back-Lit LCD

Dimensions (WxDxH)
3.23 x 2.92 x 0.94″ (82 x 64 x 25mm)

Weight
5.64 oz (160g)

Wally Dolly

August 16th, 2011

Track Construction:
Aluminum

Total Track Lenght:
3 meters

Configurations:
Standard tripod mounted
Low Boy mounted

*tripod system not included

Matthews DC Slider

August 16th, 2011

Slider Set up:
Rail Length
73″ / 185cm

Tracking Length
63″ / 160cm

Vertical Height
79″ / 200cm

Maximum Load
22lbs / 10kg

Weight
28lbs / 12kg

Counterweights
26lbs / 12kg

Mini-Jib Set up:
Maximum Height
114″ / 290cm (w/Tripod at 63″ / 160cm)

Working Diameter
at Horizontal, 63″ / 160cm

Cases (2 per system):
Large Case
76″x10″x12″ / 193x25x39cm
17lbs / 8kg

Small Case
36″x8″x14″ / 93x20x35cm
9lbs / 4kg

Click here to download the DC Slider Manual

cinedeck EXTREME

August 3rd, 2011

General

Size
5″ x 8″ x 3.5″

Weight
> 4 lbs

Battery Mount
Anton Bauer
V-Mount

DC Power
Nearly any 9-to-28V DC

Monitoring & Display

Monitor
7″ (1024×600) touchscreen display for realtime preview,
focus, and review.
- Realtime composite and per-channel histograms, waveform and scope
for accurate exposure; available in fullscreen or ovrelay display modes
On-screen overlays: grids, crosshairs, safe frames, metadata, and
letterboxing.
- Simultaneous pass through of incoming signal for on-set
monitoring.
- SD TV and VGA display clone for secondary display with
interface.

Recording

Recording Media
Solid State Media

Record Time
up to 4 hours* on a single disk
*In Cineform2) Digital Intermediate codec, 4:2:2 10 bit “high quality” setting

Uncompressed Recording
RAID SSD** or optional external portable RAID via ESATA

** Planned
1) Continuous recording time depends on resolution, bit depth, camera gain settings; standby time is considerably longer.
2) CineForm is the industry leader in cinema quality video compression, with quality equal or
superior to hdcam–sr.

Audio
On-board 2 channel audio, line/mic level switchable with
phantom power

HD Format Support
720p50, 720p59.94, 720p60, 1080PsF23.98, 1080p23.98, 1080PsF24, 1080p24, 1080PsF25, 1080p25, 1080PsF29.97, 1080p29.97, 1080PsF30, 1080p30, 1080i50, 1080p50, 1080i59.94, 1080p59.94, 1080i60, and 1080p60.

SD Format Support
625/25 PAL, 525/29.97 NTSC, 525/23.98 NTSC and 480p. (plus
realtime up/downconversion with hardware de-interlacing and 3:2 pulldown removal, and 23.98–>59i on playout options)

Recording Codecs
10 bit 4:2:2
12 bit 4:4:4
CineForm Digital Intermediates in MOV or AVI format as
well as other industry standard codecs and formats, via
HDSDI, HDMI, USB, or LAN. Records to consumer 2.5″
laptop SSD5) formaximum compatibility and reliability

Sony NEX-FS100 Super 35 Camcorder

July 12th, 2011

Image Device
Super 35mm Exmor CMOS Image Sensor (23.6 x 13.3 mm)

Picture Elements
1920 x 1080 (Effective)

Lens Mount
Sony E-Mount

Signal-to-Noise Ratio
54dB (Y) (typical)

Horizontal Resolution
1000 TV lines or more (1920 x 1080i mode)

Minimum Illumination
0.28 lx (1/30 shutter, IRIS F1.4, Auto GAIN)

Signal System
NTSC

LCD Monitor
3.5 inch-type, XtraFine LCD
Approx. 921,600 dots (1920 x 480), 16:9 aspect

Speaker
Mono

Viewfinder
Supplied VF tube for LCD

Shutter Speed
Auto: 1/60-1/2000, 30p: 1/30-1/2000, 24p: 1/48-1/2400
Manual: 60i/30p/60p: 1/3-1/10000, 24p: 1/3-1/10000

White Balance
Auto, Outdoor (5800K), Indoor (3200K), One-push (Touch panel)

Memory Card Slot
SD/SDHC/SDXC / Memory Stick (x1)

Recording Format
Video HD: HD MPEG-4 AVCHD format compatible (1080/60p original format)
SD: MPEG-2 PS (Same as DVD)

Audio
HD: Linear PCM (2ch, 16-bit, 48-kHz) / Dolby Digital 2ch, 16bit, 48kHz
STD: Dolby Digital 2ch, 16bit, 48kHz

Frame Rates
HD mode
PS (28Mbps) 1920×1080 60p
HD FX (24Mbps) 1920×1080 30p
HD FX (24Mbps) 1920×1080 24p
HD FX (24Mbps) 1920×1080 60i
HD FH (17Mbps) 1920×1080 60i
HD HQ (9Mbps) 1440×1080 60i
HD LP (5Mbps) 1440×1080 60i
HD FH (17Mbps),1920×1080 24p
HD FH (17Mbps) 1920×1080 30p
HD FX (24Mbps), 1280×720 60p
HD FH (17Mbps) 1280×720 60p

SD mode
HQ (9Mbps) 720 x 480/60i (30p, 24p Scan)

Slow & Quick Motion Function
REC Frame Rates: 1080 60p/30p/24p Capture Rates: 60fps, 30fps, 15fps, 8fps, 4fps, 2fps, 1fps

Recording/Playback Time
170 min (2h 50m) with 32GB Memory Stick PRO-HG Duo HX
@FX(24Mbps), Linear PCM 2ch Recording

Input and Output Connectors
HDMI: Type A Connection (x1 Output)
Component: RCAx3 (x1 Output)
Composite: RCA (x1 Output)
Line/Mic: 3-pin XLR (x2 Input)
Audio: RCAx2 (x1 Output)
USB: Mini-AB/Hi-Speed (x1)
Headphone: 3.5mm Stereo Mini (x1 Output)
Remote: 2.5mm Stereo Mini (x1)

Power Requirements
8.4V AC Adapter / 7.2VDC Battery

Power Consumption
5.6W

Dimensions (WxHxD)
5 x 4 x 7.6″ (12.7 x 10.2 x 19.4 cm) (body only)

Weight
2.3 lbs (1.04kg) (camera only)

Sony PVM-740 OLED Monitor

July 8th, 2011

Application
ENG/EFP, OB Van, Editing Systems, Monitor Walls

Display Type
OLED (Organic Light Emitting Diode)

LCD Size
7.4″

Video System
NTSC/PAL
Up to 1080 50/60p

Resolution
960 x 540

Input and Output Connectors
Composite: BNC (x1 Input, x1 Loop-through Output)
3G/HD/SD-SDI: BNC (x1 Input, x1 Output)
HDMI: HDMI (x1 Input)
Audio: 3.5mm Stereo Mini (x1 Input, x1 Output)
Remote: 8-pin Modular Connector (x1 Input)
Ethernet: RJ-45 (x1 Input)
Headphone: 3.5mm Stereo Mini (x1 Output)

Picture Controls
Assignable

Power Requirements
100-240VAC, 50/60 Hz, 0.5-0.3A
12VDC, 1.9A

Power Consumption
27W (max)

Dimensions (WxHxD)
8.7 x 7.3 x 6.4″ (22.2 x 18.4 x 16.2 cm) – w/stand

Weight
4.4 lbs (2kg)